As with the family, or the living, or the poem––
We cannot compare.
Just stop equivocating–– you know that
The basic problem is reachability.
We cannot compare.
Just stop equivocating–– you know that
The basic problem is reachability.
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Further Reading:
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Where it sees and speaks, agog at the "well-formed formulas".
This is Peeping Mot.
1/ Homage to Leo Marks, WWII cryptographer, and author of the screenplay for Michael Powell's Peeping Tom (1960).
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
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Further Reading:
The Prior Art.
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COMPATRIOTS
A FORMAL LANGUAGE
Where it sees and speaks, agog at the "well-formed formulas".