...on a baggage rack, on a train, in an anecdote by Hitchcock about the Scottish Highlands.
Julian Assange listens to the story, but refuses to point to the suitcase.
He's keeping a low cover, twisting his drink tickets between his fingers as if they were plot coupons in a story vehicle about narrative progress. He thinks if he can crack the suitcase, he'll have bought himself a new life.
All good poems are effectively autobiographies of the macguffin.
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Further Reading:
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Where it sees and speaks, agog at the "well-formed formulas".
This is Peeping Mot.
1/ Homage to Leo Marks, WWII cryptographer, and author of the screenplay for Michael Powell's Peeping Tom (1960).
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
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Further Reading:
The Prior Art.
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COMPATRIOTS
A FORMAL LANGUAGE
Where it sees and speaks, agog at the "well-formed formulas".