Cara Williams suffers the eternal present:
"All my life I've been waitin' to get away from here. From the mud gumbo and the loneliness."
Elsewhere, Adorno speaks of a "language without soil."
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Further Reading:
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Where it sees and speaks, agog at the "well-formed formulas".
This is Peeping Mot.
1/ Homage to Leo Marks, WWII cryptographer, and author of the screenplay for Michael Powell's Peeping Tom (1960).
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
2/ A shorthand for this vertigo of the unfolding epigram: the experience of an aphorism as it re-engineers the world, whether cruelly, or paternally, in the model sense of the word, as a house-husband delighting the orchid in its pram.
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Further Reading:
The Prior Art.
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COMPATRIOTS
A FORMAL LANGUAGE
Where it sees and speaks, agog at the "well-formed formulas".